As usual with these things, it's just the tweets copied into here.
Saturday, July 26, 2014
We interrupt your irregular list...with another list
As usual with these things, it's just the tweets copied into here.
Friday, April 25, 2014
Tied To The 90s: Part 9
These albums are now all at a stage where I don't feel like my writing skills, such as they are, can do them justice.
15. Air - Moon Safari
Having fallen in love with Sexy Boy with its heavy airplay I couldn't wait to get my hands on Moon Safari.
I had a voucher from the paper which gave me £1 off in Woolies and bought it on a day trip to Liverpool.
There aren't many albums that are as chilled out as this one. Over the years it's become a staple for bedtime so I will have heard the first half of the album a hell of a lot more than the second half, which is a shame really. As I type this I'm listening to You Make It Easy and remembering what a great song it is.
As you'll be aware if you saw my top 100 tracks list, All I Need is on my top ten tracks of all time, and is probably the closest MrsJ & I have to a "song". And it would certainly have been my choice for the first dance at our wedding, rather than Starship's Nothing's Gonna Stop Us Now (a song that's almost as impossible to dance to as Welcome To The Cheap Seats).
With the exception of the The Virgin Suicides soundtrack, subsequent Air albums haven't really done it for me, so I'm just grateful that they have this one masterpiece.
14. The Lilac Time - Astronauts
Ah, Stephen Duffy.
Like most people of my age I was aware of the intelligent pop of Kiss Me and Icing On The Cake from his 80s "Tin Tin" period but my interest and knowledge of his work didn't really extend much beyond that.
But Return To Yesterday by The Lilac Time was on The Chart Show one week and Eifion went out and bought it. And then, as he has a habit of doing, bought everything else they released too.
The self-titled debut was released (on vinyl only?) by Birmingham's Swordfish Records before being reissued in a slightly tweaked form once TLT signed to Fontana. I remember finding the Swordfish version of the album on CD in the shop of the same name on one of my day trips to Birmingham from Coventry and being over the moon.
When Eifion & I went to see them play 2 shows in Manchester one day, they were moved along by the park police whilst setting up in Piccadilly Gardens so their manager came over to us to apologise and told us to go and see him after the show that evening and he'd sort us out with a free t-shirt.
Lovely bloke that Alan McGee.
Stephen Duffy is one of those people that can't really do much wrong in my book. His solo albums, whether collaborating with Nigel Kennedy on Music In Colours, or going "a bit Britpop" on Duffy, there's always great songwriting and tunes.
Sadly he's never had the hits that he had in the 80s so it's unsurprising that when celebrity fan Robbie Williams came calling asking him to write songs for his Intensive Care album Duffy took the money and ran with it.
Astronauts is, in my humble opinion, the best thing he's ever produced. Their only release on Creation Records, it's full of great love songs and tales of English country life, as well as a brief foray into almost-trip-hop on the single Dreaming. It's another album I'd be hard-pushed to find a weak song on - a measure of Duffy's supreme songwriting skills.
I bought it in what was basically a newsagent/bookshop in Germany. Kind of a WH Schmidt's I guess.
13. Afghan Whigs - Gentlemen
Purchased on a whim from Rhyl Our Price, probably based on a glowing NME review, the Afghan Whig's more soulful take on what the kids were all calling "grunge" was a hit with me from first listen. Unfairly bundled into the grunge scene mostly by virtue of initially being on Sub Pop, Greg Dulli's band were far better than that.
The barely concealed emotion of songs like Debonair and Fountain And Fairfax shows Dulli's voice off at its best, but the whole album is full of great songs and great vocal performances.
Subsequent albums Black Love and 1965 are also right up there, but this is the one for me.
12. The Boo Radleys - Giant Steps
Sunday, February 23, 2014
Prince: Manchester Academy 22/2/2014
Quick list of the songs I can remember from last night. Full review to follow hopefully...
Let's go crazy
Purple Rain
Nothing Compares 2 U
I would die 4 U
The Beautiful Ones
Sign of the times
Housequake
Alphabet Street
Raspberry Beret
Guitar
She's Always In My Hair
Cause and effect
Sometimes it Snows in April
Hot Thing
Forever In My Life
I Could Never Take The Place Of Your Man
If I Was Your Girlfriend
Under the cherry moon
Play That Funky Music
Screwdriver
Crimson and Clover / Wild Thing
Diamonds And Pearls
Something in the water does not Compute
Starfish And Coffee
When Doves Cry
Take Me With U
Probably some newer ones that I'm not familiar with too, but that'll do for now. Hard to remember 3 1/4 hours worth of stuff.
Sunday, October 20, 2013
Tied To The 90s: Part 8
If anything I think the main thing that's holding me back from writing about the next 20 albums is the fact that they are so great that I don't think that my inane ramblings will do them justice. There's only so many times that you need to hear me say that I bought something at Rhyl Our Price.
Still, let's see where these 5 take us...
20. Underworld - Dubnobasswithmyheadman
I bought this in Rhyl Our Price. There must have been some amazing reviews of this about at the time for me to commit to what was basically a dance music album. I realise that it's indie-music-press-friendly dance music (see also Chemical Brothers, Orbital, Prodigy, Aphex Twin etc) but it was a break from my usual guitar heavy fare.
There was a time after this album came out when I went a bit ambient/dance-y for a while. I bought Aphex Twin / Polygon Window, mu-ziq, Seefeel & Banco De Gaia albums. I have the Warp Artificial Intelligence 2 compilation and a few of the Trance-Europe Express ones that the folks who brought us the Volume magazines released, and the excellent Junior Boy's Own collection, all of which have long since been consigned to the loft, but this album will never suffer such a fate.
The main reason for that is Mmm...Skyscraper I Love You. Of course the album is full of great stuff: Cowgirl, Spoonman, Dark & Long, Dirty Epic, M.E. - all great tracks, but towering above it all is the thirteen minutes of Skyscraper with its typically meaningless Karl Hyde vocals, its tempo changes from the banging "30,000 feet about the earth" segment to the closing few minutes which are almost dub-like, and just the sheer scale of the thing.
I love Underworld to this day, (Beaucoup Fish being their other masterpiece) and I would love it for people to realise that there's so much more to them than Born Sluppy NUXX.
Of course I remember when Born Slippy NUXX was just an extra track on a single that barely registered with anyone. I still prefer that original mix.
19. Radiohead - The Bends
I can't remember where I bought it. I don't doubt for a second that it was on the day of release though. I hadn't listened to Pablo Honey as much as I had expected to, given how much Creep got played when I bought it, but I'd bought the singles from this and was happy with their progress.
"They'll do alright for themselves" I thought to myself.
18. Tricky - Maxinquaye
I may have mentioned before that Prestatyn Record Shop had a rack of reduced CD singles that they reduced to 50p each, or 3 for £1.
I picked up Aftermath from that rack, probably to make up the numbers. I certainly have no memory of having heard it before I bought it.
Then I found Ponderosa there too and most likely bought it based on how great Aftermath was.
In 1995 I was working at Rhyl Sainsburys and I remember being stunned to see Maxinquaye in the CD chart there. I had waited for this album to be released for (what felt like) SO LONG, and there it was for sale in work. I can't think of another debut album I'd been so keen to buy before or since, except maybe The Streets' Original Pirate Material.
And of course it was worth the wait.
Martina Topley-Bird's vocals (and Alison Goldfrapp's on Pumpkin) were the perfect foil to Tricky's lazy, easy raps & beats. The album was so perfectly formed that, even though I went out and kept buying the singles, none of the remixes or alternate versions seemed to bring anything to the party (Hell Is Round The Corner with Gravediggaz anyone?) - the best ones were already out there.
So expectations were high for Nearly God and Pre-Millennium Tension, and while the former had its moments, and the latter was by no means bad, they suffered the fate of many an album that has to follow something of the magnitude of this flawless debut.
17. Cornershop - When I Was Born For The 7th Time
Cornershop was one of those bands that were always there - albums, singles, NME interviews - but always just off my radar. Not quite getting the reviews that would attract my attention.
To this day I don't think I could name a track of theirs from before this album.
But then came Brimful Of Asha. Of course I'm going to tell you about how I heard it somewhere in its original version, before Norman Cook got his hands on it and made it the hit it deserved to be. I get the feeling it was on Radio 1. Remember when you used to listen to Radio 1 and hear something genuinely brilliant?
The album has all sorts to keep you interested from start to finish.
Pop hits? Brimful Of Asha, Sleep On The Left Side, Good Shit - check.
Indian wig-outs? We're In Your Corner - check.
Country & western duets? Good To Be On The Road Back Home Again - check.
Hip hop? Candyman - check.
Punjabi covers of Norwegian Wood? Norwegian Wood - check.
Naturally, as I always do, I kept buying their stuff (Handcream For A Generation is another stunner), but never went back to what they'd released previously. I'm happy to stick with this as my starting point as by all accounts nothing from earlier quite hits the heights of this one.
They'd have to go some to get anywhere near it to be honest.
16. The Sundays - Reading, Writing & Arithmetic
Harriet Wheeler.
Two words that are guaranteed to set the hearts of a generation of indie boys all a-flutter.
Eifion had the 3" CD single of Can't Be Sure with I Kicked A Boy and Don't Tell Your Mother on it and did me a copy. Having seen the video for it on The Chart Show, of course there was little a 17 year-old lad could do but fall for the lovely Harriet.
Eifion fell harder. He paid a tout well over the odds to go and see them in Manchester, and I remember him telling me in his student room in Salford once, that he was playing the album for the 7th time so far that day.
I bought the album myself from a little record shop in Coventry (whose name escapes me) that was upstairs above another shop of some description. A very pretty trilobite-design picture disc. The only other things I remember buying there were a round Wonder stuff Hup! poster and two limited versions of the second Sugarcubes album Here Today, Tomorrow, Next Week! - one one silver vinyl, and one sung in Icelandic (Illur Arfur!).
It seems they specialised in exclamation-marked stock.
I never got the CD before Rough Trade folded and the album became hard to find. I did eventually pick up the reissue though, and have since passed up the opportunity to get the Rough Trade version at a knock-down price.
I think this has to be the epitome of girl singer jangly indie for me. I'm sure all you Primitives / Alterd Images / Darling Buds fans will disagree.
You're wrong of course.
________________________________________________________________________________
Right, it late. I'm off to bed to dream of Harriet Wheeler. Please don't judge me.
Sunday, October 06, 2013
Buffalo Tom top ten for @thelostrecord
The list was kindly set up as a Spotify playlist by @CushinaMan so you can listen to that HERE